
That multilayered clarity of emotion is a true testament to the acting abilities of the two stars and writers, Julia Davis and Rob Brydon. Arguably, Davis portrays the authority of all but one of the relationships presented. This authority is at times explicit and forceful, as in episodes one and five, at times subdued, as in the final episode, and others far more subtle, as in episodes two and four. Only in one relationship is there a hint of the male being abusive towards the woman, perhaps because of its social implications.
Personally, that episode was the most difficult to watch and provided the fewest laughs, perhaps because the threat of spousal abuse in the real world is primarily at the hand of the male figure. When a man is emotionally tortured by his wife, despite being cringe-worthy it was simultaneously laughable and judging by my own reactions, it is certainly culturally more acceptable to find humour among female inflicted spousal abuse than vice versa. A defining difference of episode three, where the male is clearly abusive, is the allusion to – and indeed one incident I would classify as – physical abuse, which is clearly more serious than the simple emotional abuse presented at the hands of Davis’ characters.
Human Remains aired in 2000 on BBC.